Victoria Miro is delighted to announce an exhibition of new work by Sarah Sze, her second solo show with the gallery. Characteristic of Sze's expansive practice, the exhibition will comprise several interrelated installations - conceptual constellations of everyday objects.
Over both floors, Sze's latest body of work re-imagines the gallery as a kind of laboratory where processes of observation, examination, and exploration are in progress.
In the lower gallery, a series of discrete works serve as accumulated evidence of a project - each sculpture it's own portable, temporary site, a complex system marking a location with an individual, precisely choreographed gesture.
In the upper gallery, from across a darkened expanse a single, illuminated large-scale installation becomes an archaeology of its own: an elaborate concave assemblage seemingly captured in a moment of either construction or ruin. Preoccupied with conceptions of how we continually locate ourselves within space, Sze's works unfold as investigations of the psychological, and even emotional, understandings of our environment. We are always finding ourselves in space, oscillating between orientation and disorientation, and with each location we experience accompanies an evolving history. In the works, references to instruments of measure and mapping are drawn, as are the worlds they strive to ascertain. The act of looking prompted by Sze's intricately constructed sculptures and the detail of her materials is underscored here as a unique, yet shared, encounter with place: a moment of discovery, a remnant of an experience.
http://www.victoria-miro.com/exhibitions/_430/
In the lower gallery, a series of discrete works serve as accumulated evidence of a project - each sculpture it's own portable, temporary site, a complex system marking a location with an individual, precisely choreographed gesture.
In the upper gallery, from across a darkened expanse a single, illuminated large-scale installation becomes an archaeology of its own: an elaborate concave assemblage seemingly captured in a moment of either construction or ruin. Preoccupied with conceptions of how we continually locate ourselves within space, Sze's works unfold as investigations of the psychological, and even emotional, understandings of our environment. We are always finding ourselves in space, oscillating between orientation and disorientation, and with each location we experience accompanies an evolving history. In the works, references to instruments of measure and mapping are drawn, as are the worlds they strive to ascertain. The act of looking prompted by Sze's intricately constructed sculptures and the detail of her materials is underscored here as a unique, yet shared, encounter with place: a moment of discovery, a remnant of an experience.
Biographical information:
Sarah Sze will represent the United States of America at the 55th Venice Biennale in 2013. Sze has exhibited internationally, with solo presentations at MUDAM, Luxembourg (2012); Asia Society, New York (2011-2012); Musée d'Art Moderne et d'Art Contemporain, Nice, France (2011); Baltic Centre for Contemporary Art, Newcastle, UK (2009); Maison Hermès Forum, Tokyo (2008); Malmö Konsthall, Sweden, (2006); Whitney Museum of American Art, New York, (2003); Walker Art Center, Minneapolis (2002); Fondation Cartier in Paris (1999); Museum of Contemporary Art, Chicago (1999); and ICA London (1998). Recent permanent installations include Still Life with Landscape (Model for a Habitat), The High Line, New York and The Distances Where Magnets Pull, University of California, San Francisco, both (2011). Sarah Sze was born in Boston in 1969 and currently lives and works in New York.http://www.victoria-miro.com/exhibitions/_430/
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